|5x6 watercolour sketch|
Monday, September 4, 2017
Here's a trailer for this Monday's movie, The Vanishing Point, or Ce Que Mes Yeux Ont Vu. It's a story about an art historian. At first it seems like the storyteller wants you to believe Lucie has some sort of sixth sense and can get in touch with the feelings put behind the paintings. She's on a mission to uncover a mystery about the artist and at first she's given full support from professors to pursue this, then for some reason one tries to stop her from uncovering any more information about this particular artist. Could it be perhaps because it's ridiculous? Seriously, why can't a painting just tell it's own story, why does one need to reveal all of the scandals and whatnot of the artists' personal life? Aside from all of that nonsense it's a good movie, especially if you enjoy a good suspenseful mystery.
Monday, August 28, 2017
Your movie for this Monday is Factory Girl. It's a movie about Edie Sedgwick, played by Sienna Miller, and Andy Warhol, played by Guy Pearce, and what her life was like as Andy's "muse". I put muse in quotes because this film doesn't so much portray her as a muse, as we've all been told she was, but more of a whipping post for pretty much everyone. I just recently watched this film, like last week recently, because I don't know anyone who enjoyed this film. It turns out that maybe people didn't like this film because it shows Warhol as a huge asshole and a bit of a sadist. He really was all about himself, according to this film. It sort of makes him look like the David Koresh of the art world. Really, those two were quite similar. Mediocre talent, but had the persona to sell an umbrella to a fish. I enjoyed the movie, not all of the acting was great, but Miller and Pearce's performances saved it.
If you're interested in a little info about the Bob Dylan/NOT Bob Dylan character in the movie you can read about it here. The movie is available to stream from several places like, Youtube, Google Play and Amazon. It was on Showtime last week so if you subscribe to that you can probably find it there.
Sunday, August 27, 2017
|Marigolds 4x6 oil on panel|
"For some reason watercolour has attracted a more comprehensive- and often inexplicable- lists of dos and don'ts than any other medium. People feel that there is a "correct" way of working and that any departure from this constitutes a kind of unfaithfulness to the medium. For example, we are told that we must never use opaque white because it will spoil the lovely translucence of the colours; while good painting aids such as masking fluid are described as "mechanical" and therefore in some way immoral. Eyebrows are raised if you try anything new-it is simply not done. Interestingly, all these theories of correct procedure have only sprung up in this century, while the more rigid rules surrounding oil painting were the product of 18th-and 19th-century academic tradition and have since been largely abandoned. The best 19th-century watercolours, particularly those by Turner, reveal an enormous variety in the methods used, as well as many practices which might be frowned upon today. Turner used opaque paint; he moved the paint around on the picture surface and allowed colours to run; he smudged paint with his fingers and even scratched into it in places. In short, he used the medium as the servant of his ideas rather than the other way around."
Monday, August 21, 2017
Your movie for this Monday is a documentary about stolen art. It's actually a great documentary explaining why work gets stolen and what possibly happens to it. There's some great history in here too. I love a good mystery and one that involves art theft is even better. Like this show says, it's much more "glamorous" than just a plain old convenient store robbery. There's a lot more James Bond type stuff involved. Casing out the place, sneaking in through windows, smoke bombs and all of the planning involved. It's not like an art thief simply walks into the building and grabs stuff off the walls. They have to be a little smarter than that. What I found really interesting is the theory of what happens to the work. Mobsters using the paintings as a sort of currency, like bitcoin but in oil paintings. I never would have imagined. This is a great show, only an hour long and worth the watch.
Monday, August 14, 2017
This Monday I've chosen to share a podcast with you instead of a movie or show. I rarely ever listen to podcasts or talk radio shows, they annoy me to no end. Especially podcasts, they all sound like Delicious Dish to me. If you don't know what Delicious Dish is click this link and thank me later. I'm sharing a podcast with you because I finally found one that sounds like a real conversation about stuff I don't understand, modern art. Sometimes when I hear people talk about "modern art" the scene from White Christmas comes in my head where Danny Kay is dressed in black, "doing choreography". Whut? Oh that's choreography, it's modern so excuse me while I put on my old school Capezios and pirouette my tutu on out of here. This podcast covers all those feelings and tries to explain what we might not be getting and I love it. Here's a short Youtube video advertising the show.
I've heard of Abbi Jacobson, not familiar with any of her work but I've quickly become a fan of her podcast. You can listen to it here on the MoMA site. Or download it from Google Play or Apple Podcasts. Like I said, it's a real conversation, not a weird delicious dish one, so there is a smattering of profanity, just put your big kid pants on and don't get so offended. Seriously, we need more of this in our lives. All of it, the show, the not being so offended, the bad dancing. More of it! Go listen and enjoy.
Sunday, August 13, 2017
|Hopefully Yours 7x5" waterolour on Strathmore 400 series cold press|
James Gurney has begun a new challenge to "Paint a Storefront", and it inspired me to go find an interesting building to paint. I have a love for old buildings so I should paint more of them. I guess it's a fear of not doing them justice is what holds me back from painting more of them. My paintings just don't capture the personality of the building. Old buildings hold a lot of history in them. The people who owned them, the people who would go in them, who built them who maintained them, a lot of memories are held within the walls of old buildings.
Some history on the building is that it's part of the original Manufacturing and Wholesale District which had a unique hybrid style of Romanesque Revival, Renaissance, Classical Revival, Craftsman and 20th Century Modern. If my brief bit of research is correct this particular building was constructed in 1892. The three story Romanesque Revival originally held John Blaul's Sons Company, which was a wholesale grocery business. In 1903 a four story side addition was built, and today is a tattoo parlour. The most recent history of this building is that it was home to Hopefully Yours. It's a thrift store that helps raise money for Hope Haven Development Center. "Hope Haven is a private non-profit organization that provides vocational, residential, community employment and living services for over 530 mentally and physically challenged persons in Southeast Iowa". One of the services they provide is to help their clients get jobs. I remember working with a couple of them when I was in high school. I worked at a restaurant called Carlos O'Kelly's and every morning Janet came in to mop the foyer and bathroom floors. To the rest of us it was a crappy job that nobody else wanted to do so we were just glad Janet came in to do it. For Janet it was her job and she took it very seriously. She was very professional, on time, there to work and never complained about her job. We all should have tried to be more like Janet.
On a side note, I was asked to test out this Strathmore watercolour paper and so I did. My thoughts are, don't use it. It may be useful for crafty purposes but a lot of techniques used in watercolour painting can't be done very well on this paper. I can do a more in depth review on it if anyone's interested.