Monday, June 19, 2017

John Berger / Ways of Seeing , Episode 4 (1972)


This week's show is the final episode of "Ways of Seeing" and it's a doozy. He's trying to compare publicity, advertising and oil paintings. He makes a good argument about how advertisements and oil paintings are very similar. It's a great slap in the face to wake you up about things that you may not have thought of, or haven't thought about in some time.
He makes the statement that society has changed. I'm not so convinced. I think the way we look at it has changed, perhaps our tolerance towards certain things has changed but things, sometimes sadly, still seem to operate much the same way.
There was something that struck a chord with me because it related to a recent conversation I had. He spoke about how publicity/advertising is telling you to buy something so that you'll be better. A recent post about how practice and hard work gets you places rather than the fanciest tools brought about a conversation. The person just wanting to start is frustrated that a master will not share what kinds of tools they use. The would be student is angry because it's not fair and how will they ever be as good if they can't use the same pen/paintbrush? The master is making a point that they put in the hard work to get there. Without their hand that pen/paintbrush would just sit there and do nothing. It's a great conversation because both sides have valid arguments. However it's sad that "publicity" has driven this wedge between the two.  Advertising and marketing would have you believe that by simply buying this specific thing will make you better.  On the other hand the person who has mastered that thing only wants to give credit to their hard work and dedication. Then there's the poor guy who just wants to know where to begin.  

Saturday, June 17, 2017

Plein Air Packing Part Two: Pastels

Here is part two of my plein air packing, this is what I pack when I go out with pastels.  There has been many discussions about the pros and cons of using pastel while on location. The very first con that most people list is that you have to take a ton of stuff. When I first started plein air painting I only took out pastel because that was my preferred medium. I wasn't in competitions and didn't need to consider framing and things like that. I took out EVERYTHING I had. So it can be done if you really want to, but it's totally unnecessary. Out of curiosity I weighed my gear to see just how much heavier the pastels are compared to the oil and watercolours.
(A few of the items are repeats from the previous post that you can read here. )
This setup weighs 13 pounds, which is pretty much the same as the oils so no more excuses that pastels are too heavy. 
  1. This is my pastel box, it holds a very large number of pastels. There are probably about 200 or more in this box right now. The number can vary depending on what I put in. A lot of pastels come in half sticks and with those you can put in more colours. 
  2. Handy dandy rucksack. This backpack has been with me for a very long time. It's a Jansport brand, something most people might buy their kids for school and has no signs of wear nor tear.
  3. Multi-media sketchbook
  4. Masking tape. Same cheap masking tape I use for watercolours. 
  5. Hand wipes-pastels go really fast for me so I often need to clean my hands in between and after I'm done. Pastels will end up all over your clothes and face but don't worry they're easy to clean up. 
  6. Sunblock-sunblock is important for all year around painting. 
  7. Multi-purpose clips for all manner of emergencies. 
  8. Pencil case- this is filled with a bunch of stuff that is listed in this previous post
  9. Bug spray
  10. Tissues
  11. Plastic bag.  When working in pastel I use a lot of those wipes and tape so I like to have a bag to collect my trash in. 
Inside the box of pastels I keep the rest of the supplies needed to work with. 
  1. Hardboard panel. This is an 11x14 piece of 1/8" masonite but any hard surface to tape your paper to will work. In a pinch I've even used a piece of cardboard when I forgot my board. 
  2. Pastel paper. I pack several different sizes of paper, usually 9x12, 8x10 and 5x7. 
  3. Glassine- Glassine is what I put on my finished painting to protect it until I get home or frame it. I hear a lot of people complain that it's too expensive, but I buy a roll, cut off small pieces and even reuse it. I bought a roll three years ago and have a ton left. 
  4. Pastels- Both sides of the box are filled with pastels of various brands. 
This is the whole thing set up and ready to use. You can see it takes up very little space and after weighing it, now I know it doesn't weigh that much either. 

Tuesday, June 13, 2017

Hugging the Learning Curves

Seems like so many things we see and do have a video or some sort of interactive part to it these days. I'm not going to lie, sometimes it's fun to watch other people paint. Everybody loves happy little trees!  This is my first attempt at trying to record myself inking this quick sketch.  I used my Google Glass and some Sony software to speed up a 10 minute video to about a 30 second video. It was interesting, for me, to use the Google Glass. I could see just how fast I was going. It felt like I had been working on this for an hour but glancing at the display I was only 6 minutes in. There are parts where you can't really see what my hand is doing and I think that has to do with the Glass being too big for me. You wear them like glasses so they move with the movement of your head, not your eyes. Sometimes I'm actually not moving my head just my eyes and the Glass doesn't follow where my eyes and hands go. They're a pretty cool piece of technology but they obviously have their limitations. 
video
(for those having trouble watching the video on here, click the link to my Instagram here and you can view the 1 minute version). 
If you thought learning how to paint was hard, try learning to paint and record a video of yourself at the same time. 

Monday, June 12, 2017

Abstract: The Art of Design | Official Trailer [HD] | Netflix


Your Monday movie this week is a series put out by Netflix called, Abstract:  The Art of Design. I stumbled upon it while looking for background noise while working on a project. At first that's what it was, then the person asking questions quickly caught my attention.  They were asking some of the stupidest questions and I thought this was a joke, possibly a spoof or something.  No, it's actually a series that showcases designers/artists of various genres. Shoe designers, stage designers, etc. The first episode focuses on Christoph Niemann and it's wonderful. When he began explaining his work I started rolling my eyes. Making stuff with Legos, it deserved an eye roll but keeping an open mind I could appreciate what he was doing. His work is fun and inspiring.
If you don't have Netflix search Youtube for the first episode.It may be morally corrupt and if we all end up in Hell for watching pirated videos on Youtube I'll bring the beer, you can bring snacks. 

Saturday, June 10, 2017

Plein Air Packing Part 1

Here is part one of my plein air packing tips. This is a far cry from where I began. I used to drag as much stuff with me as I could. Now I work to condense as much as I can. It seems like every time I go out I try to remove something or find something smaller so I can be more compact.  The ultimate goal for anyone wanting to plein air paint is to pack light enough and get gear that won't be too cumbersome. If setting up your easel takes 45 minutes and is no fun then you'll come up with excuses to not paint. You don't need the fanciest, most expensive gear, just something that will work for you.
This first part is the gear I take when I plan on painting watercolour/casein.  When I want to paint in watercolour I just grab this bag and go.

  1. Corrugated plastic- 11x14 sized piece of corrugated plastic that I use for my board.  It's super lightweight yet tough enough to travel and withstand wind. 
  2. Masking tape. Plain old $0.98/roll masking tape. 
  3. Mini-Lammert Paint Box- this is the smaller version of the Lammert Paint Box. It, along with everything in this photo fits inside the messenger bag.
  4. Bug Soother-any bug spray is better than no bug spray but this brand is really nice. It's all natural and has a pleasant scent and most of all works. 
  5. Tissues-an all year 'round necessity. 
  6. Pencil Case-contains tons of stuff that will be listed in an upcoming photo.
  7. Bottled water-no brand in particular and I reuse the bottle. This is for painting but if I get too thirsty and forget something for drinking I can drink this. 
  8. Mesh Reinforced Vinyl Zip Bag-This is an 11x14 size that holds watercolour paper of various sizes. This brand and size was found at Hobby Lobby but I can't seem to find a working link on their site. 
  9. Chapstick-Painting outdoors, especially near the water and in windy conditions you need this BUT be careful with what kind of lip balm you choose. If it smells too sweet you attract gnats and other annoying bugs. If it's too sticky those same bugs will get stuck on your lips. Stick with a soft scent. This one in the picture is the Chapstick brand key lime scent. The citrus scent hasn't attracted too many bugs. (yet)
  10. Sunblock- Like the bug spray any brand is better than no brand but I highly recommend this Banana Boat stick. Very VERY light scent, not greasy and the stick practically takes up no space in the bag. 
  11. Clips- These are heavy duty clips that come in handy for many things. If the easel is acting up they can hold parts down. If I run out of tape they can hold down my paper. 
  12. Messenger bag/Backpack- Again any brand will work but this L.L. Bean messenger/backpack is pretty great. It's about 20 years old and hardly shows any wear and tear. Everything fits in it with tons of room left over. 
  13. Sketchbook-any brand and any size sketchbook will work. These are handy for thumbnail sketches and notans so it may be a good idea to find a sketchbook that has a good multi-media paper. 
This is what is packed inside the Lammert Paint Box pictured above. 
  1. Chamois cloth-this one came from the dollar store and is basically one of those crazy Shamwow chamois cloths. These work great for watercolour painting. They're reusuable and I don't have to worry about forgetting paper towels. 
  2. The Lammert Paint Box-they come in two different sizes. This smaller one is perfect for my watercolour setup. 
  3. Spray Bottle- This came from the travel section at Shopko. Shopko is the Midwest's general merchandise store. I only mention it because I've never seen this kind at Target/Wal-Mart etc. The nozzle is adjustable and it locks closed. 
  4. Palette- This Holbein palette fits perfectly inside the paint box.  There are other brands that will fit just fine too.
  5. Faber Castell collapsable water cup.  This collapsable cup is perfect. It's lightweight and cleans up easy. The one pictured here is a couple of years old so it's pretty durable as well. 
  6. Brushes- Rosemary & Co. squirrel hair brushes in sizes 16, 10, 8,6 and 4. To be honest I usually only use the 8 and 4 and the Connoisseur Happy Dot Detail so you don't need to pack a ton of brushes. 
  7. Ruler-I keep a ruler in my pencil case but this one takes up hardly any room so it just kind of hangs out in the paint box. 
This is the pencil case. The pencil case isn't static, the stuff in it always stays the same, but it moves from bag to bag. I can grab it out of my watercolour bag and put it in my oil painting bag and my sketching bag. 
  1. Moo Eraser-This eraser is amazing for erasing charcoal and pastel. 
  2. Kneaded eraser-Love these things. They can double as a stress reliever. 
  3. Pencil/ink eraser-this type of eraser is handy when watercolour painting. The ink side can do some lifting. It stays in the pencil case for when I'm just going out to sketch. 
  4. Pencil sharpener-This pencil sharpener is like the town floosey, everyone has used it. Honestly, they're the one thing most people forget to pack so leaving one in the case has saved many of my friends.
  5. Mini pencil sharpener-this is for my lead holder.  It sharpens the graphite to a perfect point. In a pinch I can use the regular pencil sharpener but I do my best to always have one of these in the case. 
  6. The pencil case-any kind will work, this one came from the dollar store and is about four years old. It's finally starting to show some wear and tear but I'll use it until it completely falls apart. I forgot to label the rubber bands on the outside. They're there for use not because it's holding it together. 
  7. Ruler- After being tired of wishing I had a ruler with me I finally got a small one that fits in the case so I can take it with me whether I need it or not. I use it quite often. 
  8. Cardboard ruler-I wrote about this cardboard ruler in a previous post you can read here. It's not necessary but comes in handy for making the rectangles for sketches. 
  9. Pentel Pilot Petite Pen-refillable ink pens come in three sizes. I use this one and the next one pictured the most. 
  10. Pentel Pilot Petite Pen-refillable and when the you put the cap on the end it's a relatively normal sized pen. 
  11. Pilot Pocket Brush Pen-my favourite brush pen. Only draw back is it's not refillable. 
  12. Wide tipped black Sharpie-extremely handy for Notans and recently a friend borrowed it to cover a nick on a black frame during a plein air competition. Super handy. 
  13. Prismacolor Drawing Lead Holder- these come in several brands but this is my favourite. It's the best balanced.  Only drawback is the metal clip can sometimes be a pain when when working outdoors, you get a nasty glare from the sun. 
  14. White coloured pencil-rarely use this but comes in handy every once in awhile. 
  15. Princeton Neptune watercolour brush size 4-comes in really handy when going out sketching
  16. Robert Simmons white sable watercolour brush size 6-also comes in handy when sketching. 
  17. Graphite-the tube is from the Staedtler brand but I refill it with Prismacolour graphite because I've found that the Prismacolor brand has way less grit than any other brand. I keep 2B and 6B in it. A 2B is great for drawing with and 6B is wonderful for doing value sketches. 
  18. Waterbrush- I have these in every size available. I keep this one in the pencil case because it holds more water than other brands and is easier to refill. 
  19. White gouache- this is all purpose.  Works for watercolour sketches and value studies.  You can also use it as white-out if needed. 
This may look like a huge list of stuff, and maybe some of it can be omitted but again ALL of it fits inside the bag and actually weighs less than my plein air pastel box alone. Four other things that I've not shown here but always have, usually in my car, my tripod for the paint box, a hat, antibacterial wipes and my phone or a camera. I will compile another list for my oil painting setup and one for my pastel setup. They're pretty much the same with a few variations. I hope this helps. It's not, by any means, what everyone should take with them, but hopefully it gives you some ideas on what to pack for yourself. 

Wednesday, June 7, 2017

Questions From a Girly Mag

Someone asked, what are the essentials when you go out painting? Am I the right person to answer this question? Today I left the house without my easel. Luckily I was only about a mile away from home when it occurred to me.  I always have a sketchbook with me so it wouldn't have been a total loss today but still. I'm now working on a post that will cover my essentials that I always take with me, or try to, when I go out on location.  It might be fun to see what everyone else packs. Either share your own post of essentials or message me with some things you must have when plein air painting. You can e-mail me or leave them in the comments section below. On top of that I'll pose this other question. Back in the day I was reading one of those girlie magazines, not a GIRLY mag just a girlie magazine. They posed the question, if you were on a deserted island and could only bring one beauty item which would you choose; lip balm, sunscreen, or mascara.  After compiling your list of essential plein air paintings items which ONE item would be your must have? Aside from easel, paint, brushes, the basics, what's one thing you absolutely need?

Monday, June 5, 2017

John Berger / Ways of Seeing , Episode 3 (1972)

The show for this week is episode three of Ways of Seeing.  John Berger's hair just gets better and better.  This one took a minute to get into, meaning I wasn't quite sure where it was going. However, like the previous two episodes it got me thinking right away. 
"If you buy a painitng you buy also the look of the thing it represents".  Not exactly sure what that means but it got me thinking about a conversation I had with my friend and fellow painter, Deb. We were discussing an artist and I said I didn't like the colour palette they worked with. She said she didn't mind the colours but the application is what she didn't like. So would we not buy their paintings because we didn't like the representation? For me that's exactly what that means. I love strawberry milkshakes but if someone painted one in a way that didn't make me want another strawberry milkshake in my life there's no way I would buy it. If Picasso painted that strawberry milkshake you know someone would pay millions just because it was a Picasso. No thanks. That's when paintings turn into investments and not something to be enjoyed. 
Then when he started speaking about the people who could afford to buy paintings and commission portraits. This got me thinking about this "white privilege" crap we hear so much about today. Why can't we have more diversity in films? Why can't we have more women in political office? Why can't people shut up? Anywho, so rich people could afford paintings so that must've influenced some artists to paint things that they would purchase. Some artists do that. Some artists look for the trends and paint what is selling. Does that make them artists or businessmen? Furthermore, if anyone could afford to buy a good painting what would they want to have hanging on their wall?  If someone living in poverty had the chance to own a good painting what would they want? Since some people are so convinced that rich people are the only ones who have influence it makes me curious as to what they would want or even commission. It would probably really surprise everyone.  Just because you have a lot of money doesn't mean you have good taste and just because you have no money doesn't mean you don't have any taste.  And just because you think you have good taste or your grandma tells you that you do, doesn't mean you do. Just because you can pay an artists to paint your portrait doesn't make you any better looking or more important than the next person.